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Brooten, McElhone and Venkiteswaran
the longstanding interest in the role of media in political transitions.
This led to the emergence of the “transitions” paradigm, which
remains the dominant approach to understanding transitions away
from authoritarianism. The transitions paradigm has been critiqued,
however, for its assumption of a movement towards liberal democracy
(Roudakova 2012, p. 247) and its teleological approach (Carothers
2002). As this period of democratization was wrapping up towards
the end of the 1990s, analysts began to discuss regimes combining
authoritarian and democratic elements, and the growing consensus in
comparative politics now revolves around the notion of such “hybrid
regimes” as “the most common form of political organization around
the world” (Roudakova 2012, p. 247; Voltmer 2015).
The field of comparative media and political communication has
been dominated by the state-centric media “systems” approach since
the publication of the highly influential Four Theories of the Press (Siebert
et al. 1956). An important attempt to update and expand this seminal
work is Hallin and Mancini’s (2004) Comparing Media Systems, which
proposes three models of media systems as possible frameworks for
comparison. These are the Liberal Model, which they argue prevails
in Britain, Ireland and North America; the Democratic Corporatist
Model, that characterizes northern continental Europe; and the
Polarized Pluralist Model, which they say can be found in the
Mediterranean countries of southern Europe. They note that these
models are ideal types, more normative than real, and that they
may include variations that the authors hope would be revealed by
applying these models in various contexts. A more recent edited
collection by Hallin and Mancini (2012), Comparing Media Systems
beyond the Western World, is a conversation with critics of their first
book who argue that the three basic models it proposes do not
translate well enough to be heuristically useful in most other parts
of the world. The newer volume addresses some of these concerns,
featuring significant critiques questioning the value of static models of
media as “systems” and the lack of attention to process in comparative
media work and research on political transition (McCargo 2012; Roudakova
2012). Roudakova (2012) calls for a typology that conceptualizes media
systems as processes, distinguishes between processes that function to
maintain and to erode order, and analyses how this shifts over time.
She argues that the project by “transitologists” and “hybridologists” to
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